DISPLAYS SELL HEINEKEN'S FROM COAST TO COAST one the opportunity to create to his best likings. The work of Chris J. Lanooy (a decorator of buildings, etc.) will testify to his intensive spirit for ever; his craftsmanship is the secret of the fire and his art of painting. He es pecially showed it in his color impres sions. During that period, we see a need for enriching the form with glaze, which was inspired by experiences in nature. These ceramists replaced imitation definitive with invention and personal experience, the results of which are shown in the work of the younger ones, such as Just van Deventer, Meindert Faalberg and Frans Slot. Now let me go over our modern ceramic so we may happily state that the artistic sense for pottery, which at one time seemed dead, during the last half of the century has revived. A product has been the result of that, which generally has gone through the development of the industrial art, but which in its best expressions could be leading because everytime com pared to its foreign contemporary it shows its own char acter and certainly does not stay be hind. Moreover, the profession revives. Matter, form, color, glaze; each part of the process has and requires an uninterrupted and personal care. Here one arrives at the possibility of an artistic sense, supreme performance of the product. To be an Artist-Ceram ist, is the only wish at this moment. After the impressions of the modern Dutch ceramist, who still delivers to us these handsome beer jugs of which even a collector of antiques and curio sities can be proud, I will conclude this article with a resume of an article which appeared in 1890, in Vienna, by Dr. W. Schulze. Schulze set up for brewery circles quite a sensational viewing, an appre- ciator's scale for the use of the different kinds of beer jugs, which with this will )e rescued from oblivion. Freely translated into English by J. Renier Van Tnyn Retailers everywhere are putting in Heineken's displays to trade-up their customers and their profits. On this page we are including but a few of the many photos that we have received from all parts of the United States showing newly set up Heine- ken's displays. In each case, the Heineken's sales picture showed a definite rise after the installation of the display. Let us hear about your display activities too. This display in the lower lobby of the Statler Hotel in Los Angeles is another fine fob of our Mr. Joe Ross (second from right). Hundreds of people pass this spot each day as they park their cars in the popular Statler garage in downtown Los Angeles. Mr. E. K. McLoughlin (left), the store Manager and our Mr. Gren Harris (right) look on with approval. (L-R) Mr. Louis Pontani, owner of the Casa Lido Barn and Liquor Store in Trenton, New Jersey, and Mr. Edward Lens, Van Munching representative stand alongside what looks to us like a 25-case island display. The Heineken's giant display bot tles, wooden shoes and windmill topofF the dis play and add to its attraction. From Carl Mayer in Florida, comes this photo of a 28 case Heineken's display in State Liquor Store, Rt. #7, West Hollywood. Please note that the size of this display warranted the installation of two Silent Salesmen with two rows of Heineken's cases in between. Shown above is the Heineken's Holland Beer Booth at the recently held Washington State Li censed Beverage Association Convention in Yaki ma, Washington. Mr. Charles Dohoney, Van Munching representative, installed and manned the booth during this 3-day Convention. Meimekem sw? 1 In a special 2-week Heineken's promotion, the Treadway Inn of Rochester, N. Y. set up the above display and included "Heineken's Welsh Rarebit Golden Buck" on their Men's Luncheon Club Menu. Shown above are (L-R) Mr. Kevin Whittaker, Ban quet Manager of the Treadway Inn and Mr. Paul Formanek, Van Munching representative.

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The Windmill | 1959 | | pagina 3