Heineken Village: launch-pad for young Japanese artists Eighty of Vrumona's colleagues wanted to know all about PET Half-year results Heineken N.V. Heineken Japan has been actively engaged in the sponsor ing of exhibitions recently. Modern art is attracting growing attention amongst the younger generation of Japanese: and that's a consumer group which our Tokyo office feels should be introduced to Heineken beer. One new activity by Heine- ken Japan involves the opening of Heineken Village in Tokyo, covering an area of 1,500 square metres. The Village not only has a bar and an outdoor beer garden, but also offers young Japanese artists a venue to display their works. Some eighty representa tives of European soft drinks plants and bottlers made the trip to Bunnik (Holland) last month to see for themselves how the new plastic returna ble bottle of Heineken's Vru mona subsidiary is filled with Pepsi Cola, Seven-Up and Sisi. They were also told more details about the mar keting, engineering and tech nological work that preceded the introduction of the new bottle. New bottling line In the first six months of 1989 a net profit of Fl. 140,388,000 was achieved. This is an increase of 17.1% on the Fl. 119,895,000 booked for the correspond ing period of last year. HEINEl HEINEKEN INTERNATIONAL MAGAZINE NR. 22 Heineken is not the only com- from those of the others because of pany involved in art sponsoring in the great attention we focus on Japan. But our activities do differ young artists. Some time ago Hei- In small groups the colleagues of Vrumona were shown around the soft drinks plant, the main attraction obvi ously being the bottling line for the plastic returnable bottle. Present at the official opening of Heineken Village were (from left to right): G.R. Habbershaw, Export Director, D.S. Enters, head of our export office in Tokyo, his Singapore-based counterpart J.G.C.M. Janssen, and Mr. Mukoyama, marketing manager of Heineken Japan. Leen van Paridon, technologist at Vrumona, recalls: "In recent months we'd received very many requests from colleagues for more information. So we thought it would be a good idea to hold an open day. Everyone could then take a look around our business and learn how the plastic returnable bottle was developed." General manager R. Overgaauw, marketing manager R. van Breemen, produc tion manager G. Meijer and tech nologist L. van Paridon explained to the visitors the reasons for choos ing the plastic returnable bottle. R. Overgaauw made it clear why the one-and-a-half-litre plastic returnable bottle had been chosen. "The one-and-a-half-litre size is an excellent supplement to our range. What's more, demand for bottles of neken Japan started to sponsor up- and-coming young artists by refunding their costs of transport, mailings, rental and other exhibi tion expenses. The experience gained from these 'try-outs' has now been used in the planning of the Heineken Village. For instance, the bar and the outdoor beer cafe are clearly separated from the rooms where the art works are on display and the Heineken logos have not been used too abundantly. Heineken Village also contains this size is growing. We opted for a plastic because it is lightweight and safer. We chose PET because of our know-how and experience of this material." Production manager G. Meijer gave information about the adapta tions required in the bottling department. During the bottle's development stage the height and diameter of the bottle were gov erned by the possibilities of the bottle rinsing machine and the crate, because changing these would have been very costly. In April next year a new bottling line for the one-litre bottle is due to come into operation. This line should be able to handle both the glass bottle and the plastic bottle. Research into the plastic returna ble bottle has been under way for several years. guest rooms for foreign artists who would love to spend a lengthier period working in Japan but cannot afford to because of a lack of funds. They, too, have a chance of Technologist L. van Paridon explained which aspects had to be studied in developing the bottle. The main areas for study included the cleaning conditions, stability of the product, effect on taste, Net sales increased by Fl. 426 million to Fl. 3,856 million. The increase in sales was due to im proved selling prices, a higher sales volume and an increase in the interests included in the consolida tion. Improved selling prices were exhibiting their works in Heineken Village. The Village will remain open until September 1990. additives, labels and the quality of the bottle after several return trips. Marketing manager R. van Breemen discussed the initial results, three months after the launch. Those results are optimis tic. After a mere six weeks, for instance, Pepsi Cola had already achieved a market share of 3.1% with the plastic returnable bottle, and half of this was additional vol ume. Sisi and Seven-Up also did well. On the basis of extensive research and in view of the initial results, R. van Breemen said he expected that the market share of the one-way PET bottle would decline in favour of the returnable bottle. He also sees possibilities for the one-litre size of plastic returnable bottle. In the more dis tant future he does not rule out PET being replaced by other materials. A Belgian colleague ofVrumona expressed admiration for the step taken by Vrumona and Pepsi Cola. "For us it's a difficult choice to make: investing in glass bottles or in plastic returnable bottles. We hope that the information we pick up in Bunnik will make our choice easier." also achieved in the export opera tions, whilst the good weather in part of Europe gave a clear boost to sales. Operating expenses went up by Fl. 404 million to Fl. 3,598 mil lion. Once again, selling costs showed a not inconsiderable rise as a consequence of the vigorous competition on the markets in which we are active. Restructuring costs were down compared to pre vious years.

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Heineken International Magazine | 1989 | | pagina 2